Equipment file · Digital live console

D5 Live

DiGiCo · 2002

Evidence status · documented

Identity and core specifications are documented; some historical fields remain unavailable.

DiGiCo's D5 Live, launched at PLASA 2002, connected its worksurface to front-of-house and stage DigiRacks by fibre, replacing the multicore, splitters and outboard rack. It offered up to 128 inputs, total recall and touchscreens.

Introduced
2002
Category
Digital live console
Intended use
Front-of-house and monitor mixing
Production
DiGiCo's first product; succeeded by the SD range

Equipment photographs · 1

DiGiCo D5 Live, Monitor World @ Hey Hey Its Saturday

1 / 1 · DiGiCo D5 Live, Monitor World @ Hey Hey Its Saturday

DiGiCo D5 Live, Monitor World @ Hey Hey Its Saturday·Duncan Underwood·CC BY 2.0

Why it mattered

  1. 01

    One of the first integrated digital live systems combining surface, stagebox and effects.

  2. 02

    It led to the SD7.

    Pictured in this passage

Engineering record

I/O
FOH and stage DigiRacks linked by fibre[1][2]
Channels
Up to 128 inputs, 40 buses, 38×8 matrix[2]

Original pricing

No reliable period price located

2026 equivalent

Not calculated without a reliable original price.

Public price evidence was not sufficient to publish a defensible original figure.

Use in the field

No named deployment could be tied to this exact item by a checked source yet. Know of one? Suggest it on the contribute page.

Professional reactions

Release-period reaction · 2004

Pakulski singled out the D5’s compact size, fibre-optic snake and sound quality. He was running 96 inputs with the console’s internal effects and processing rather than a conventional rack of outboard gear.

Scottie Pakulski, Duran Duran front-of-house engineerEarly D5 Live touring deployment with Duran Duran. · Independent firsthand source · Paraphrased account[3]LSi Online · DiGiCo's D5 Live tames the Wild Boys

Release-period reaction · 2004

Orzak reported rapid acceptance by both front-of-house and monitor engineers who had not previously used digital consoles. He also praised the D5’s reliability and DiGiCo’s support.

Owen Orzak, Eighth Day SoundSupplier’s firsthand account of the Duran Duran touring package; not an independent product review. · Independent firsthand source · Paraphrased account[4]LSi Online · DiGiCo's D5 Live tames the Wild Boys

Later field experience · 15 September 2008

Matheson liked the V4 software’s immediate access to monitor graphics when selecting an aux. Per-song snapshots reduced missed changes, while he still preferred to mix manually after recalling them.

Rod Matheson, Kylie Minogue monitor engineerKylieX2008; established D5 use, not original console launch. · Manufacturer-published case study · Paraphrased account[5]Front of House (FOH) · Kylie Minogue Finds the X Factor with DiGiCo

Later recollection · 12 November 2008

Listening back to his 2005 D5 mixes reminded Rabold of the depth of field that had impressed him when he first used the console. That experience helped persuade him to investigate the SD7.

Chris Rabold, Widespread Panic front-of-house engineer2008 recollection of earlier D5 use. · Manufacturer-published case study · Paraphrased account[6]Front of House (FOH) · Widepread Panic Tours U.S. with DiGiCo SD7

Manuals & original documents

Sources

  1. 1DiGiCo's D5 Live at PLASALSi Online · archive · 2002
  2. 2D5 Live BrochureDiGiCo · brochure
  3. 3DiGiCo's D5 Live tames the Wild BoysLSi Online · interview · 2004
  4. 4DiGiCo's D5 Live tames the Wild BoysLSi Online · interview · 2004
  5. 5Kylie Minogue Finds the X Factor with DiGiCoFront of House (FOH) · interview · 15 September 2008
  6. 6Widepread Panic Tours U.S. with DiGiCo SD7Front of House (FOH) · interview · 12 November 2008

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